While Panasonic seemingly focuses on video featured GH cameras along with their new full frame platform, and Olympus hopes pros jump to its EM1X, I’m over here enjoying my now aged, and in my mind legendarily ‘just right’ Goldilocks GX8 with some new glass. I’ve long blown the horn for Sigma’s full frame optics, providing industry leading optical performance at honest, realistic prices (every one of the half dozen lenses I’ve tested/reviewed and/or purchased over the last few years have been wonderful), I started to wonder why I’d not tried out their crop frame offerings. Well, I have now, and I don’t know why I’m surprised, but the Sigma 56mm f/1.4 DC DN Contemporary lens is another absolute gem.
I’m using the micro 4/3 mount option, which crops to a 112mm equivalent focal length, putting it right in that mid tele, portrait sweet spot between the traditional 85mm and 135mm focal lengths. For the APS-C lot, this lens falls right into the more standard short tele ~85mm slot, which will certainly appeal to many (as it absolutely should). I for one like the extra cropping as it starts to compete with my long standing, and stellar Olympus 75mm f/1.8 lens for time on the camera when portraits or more isolated subjects, with bokehfied backgrounds come calling.
Weather sealed at the mount, compact, lightweight, fast and sharp as a tack, this lens is one I feel many system shooters can find great value in. C’mon in to see my take…
My long standing relationship with Lensbaby as a fan, and friend has rewarded me again with the ability to use and review the Burnside 35mm f/2.8 dual aperture lens. I was asked to play around with the new Burnside 35, but as is always the case here, all my opinions are purely that. Mine. I don’t get paid (unfortunately) to do this, nor was it required that I write up a fluff piece, so while I do have a soft spot for the local, independent Portland based company, I’m also in no way contractually required to like their stuff. As you’ll read, I don’t hold back criticism where I see fit. Lensbaby tends to get the online readers divided based on perception that cameras and lenses need to test off the charts in all ways, and anything that isn’t trying to accomplish that should be burned at the stake. If that’s what you’re after, feel free to argue scientific test charts somewhere else, also, I feel a little sorry that the joy of photography has seemingly evaporated in your life, assuming it was ever there to begin with. I’m not saying you need to like the weird, wild and quirky, but you certainly don’t need to piss in the cereal of those who enjoy creating different effects in camera. The true beauty of free will is just that. We all get to decide what we like, and I often like in camera effects. …okay, are all the curmudgeony troll pessimist chart nazis grumpy enough to have clicked away? Good.
Hello dear friends. There has been no secret here on the bloggings, surrounding my desire to find the perfect 85mm lens. It has become my own photo gear holy grail, and a fun journey it has been. I’ve owned, sold, used, borrowed or rented at least a dozen different 85mm (or equivalent) lenses for a few different systems over my years. It’s probably the single most fascinating focal length, for me. The most popular classification for a lens of this focal length, is going to be portraiture. It balances minimal distortion, with flattering spacial compression when working at traditional distances for portraits, and is a go to for many portrait photographers. I do like a good portrait session, but a mid range tele lens like a nice, fast 85mm can offer much more than merely head and shoulder shots. I want to look at this lens on its own at first. How sharp is it? Bokeh? What kind of value does is present at its price point for a photographer like me, or you? Later, I’ll be comparing this lens to a couple other fast portrait lenses that I have here on the blog, but for now let’s see how this beautiful new Sigma Art lens stands on its own…
Few systems can boast multiple, high quality portrait prime lenses. Here I’m looking at three, very good lenses all in their own, respective rights. Each, have their upside and for a given shooter, a very justifiable argument in favor of, over the others.
While there are two more proprietary portrait prime, focal length lenses with a micro 4/3 badge printed on them (the Leica 45mm f/2.8 macro and the new Lumix 42.5mm f/1.7) I have been able to justify buying all three of these for one reason or another over the last few years. I must cull my quiver to make room (and provide budget) for new, fun things to review, so I need to decide which I’m going to hold onto.
C’mon in for some shots, and my thoughts…
Choice is good, and unless it is an important, multiple choice test, the more choices, the better I feel. In this constantly growing camera system, we are continuing to get quality choices in the lens game. From semi-wide through standard focal lengths, the micro 4/3 system boasts quite a few options and those options are increasing.
So, with the recent addition of the new Panasonic Leica Summilux 15mm f/1.7 lens, it begs the question, why? With quite a few other comparable focal lengths in the lineup, why this lens? Panasonic has already provided two, pretty comparable, adequately performing focal lengths in this space. Come on in for a comparison between these three lenses to see which might be most deserving of your adoration and hard earned money.
I’ve slowly been crawling out from the pile of work I’ve created for myself and have gotten around to playing with MacPhun’s Focus 2 Pro. The beauty of this program is it’s ease and remarkably intuitive skill set. After playing with and reviewing Tonality Pro, I was very curious to see what else MacPhun had to offer. If you are a Mac OS user, have a look, download a trial and play around with this fun program. On sale through the 15th of March, you can download a free trial, or purchase it HERE. Normally $39.99, it is on sale for 25% off, or $29.99 for the next 10 days. Upgrades from Standard to Pro can be had for a mere $14.99 as well! Come on in to see some of what you get with Focus 2 Pro.
I held off for a long time on buying a portrait focal length for the Micro 4/3 system and despite the stellar reputation and modest pricing of the Olympus 45mm f/1.8 lens, I’d found myself more or less happy with my adapted Contax 45mm.
The Contax G Zeiss 45mm f/2 lens has a pretty amazing reputation of its own. In its day, it was touted as being one of the sharpest standard lenses available, even garnering praise over some more illustrious Leica lenses in the same focal length neighborhood. While I wish I had some Leica glass with which to test and back up that claim, let’s just say that the little Zeiss lens has done okay for itself and still goes for a decent amount of money now that the weird proprietary focusing mechanism has been worked around and this lens can be adapted to most any mirrorless camera nowadays.
So, how do these two compare? Let’s see…