*Sigma 56mm f/1.4 for Micro 4/3, holy crap…

sigma56

While Panasonic seemingly focuses on video featured GH cameras along with their new full frame platform, and Olympus hopes pros jump to its EM1X, I’m over here enjoying my now aged, and in my mind legendarily ‘just right’ Goldilocks GX8 with some new glass.  I’ve long blown the horn for Sigma’s full frame optics, providing industry leading optical performance at honest, realistic prices (every one of the half dozen lenses I’ve tested/reviewed and/or purchased over the last few years have been wonderful), I started to wonder why I’d not tried out their crop frame offerings.  Well, I have now, and I don’t know why I’m surprised, but the Sigma 56mm f/1.4 DC DN Contemporary lens is another absolute gem.

I’m using the micro 4/3 mount option, which crops to a 112mm equivalent focal length, putting it right in that mid tele, portrait sweet spot between the traditional 85mm and 135mm focal lengths.  For the APS-C lot, this lens falls right into the more standard short tele ~85mm slot, which will certainly appeal to many (as it absolutely should).  I for one like the extra cropping as it starts to compete with my long standing, and stellar Olympus 75mm f/1.8 lens for time on the camera when portraits or more isolated subjects, with bokehfied backgrounds come calling.

Weather sealed at the mount, compact, lightweight, fast and sharp as a tack, this lens is one I feel many system shooters can find great value in.  C’mon in to see my take…

Continue reading

*Wrap your subject in light, a 4 light, high key setup.

 

P1210510 (1)

I’ve been working through some lens reviews, and wanted to take a break from the technical, to share a lighting setup.  Portraiture wise, I tend to normally go in one of two directions, either very minimal, directional, moody light, or a sh*t ton of lights.  This setup is the latter.  Using 4 lights and a reflector, my goal for shooting with Trisha was to wrap her in light from every direction.  I knew I wanted to really showcase her beautiful blue eyes, and getting enough light into them meant lighting her from the front high and low. C’mon in for the setup.

Continue reading

*Olympus 75mm f/1.8 vs Canon 135 f/2 L

the showdown

***I’m selling off some gear, the killer Olympus 75mm f/1.8 lens is up for sale HERE***

One of my absolute all time favorite lenses has been my EF 135mm f/2 L USM.  Before I’d acquired this lens, I was looking for a mid range tele lens that I could use for portrait work as well as use for events, sports, etc.  The 135L a few years back cost me exactly as much as the Oly 75mm f/1.8 does today.  Yes, the Oly uses much less in the way of materials, far less glass, and is actually a 75mm lens, not a 135mm (or 150mm to be more accurate) lens, but, for the Micro 4/3 format, it is as close to that magical piece of glass that the 135L is for the Canon system.  Both are metal, neither are weather sealed and they’re each their own system’s mid-tele master.  Even with the extra glass, the 135L is a noticeably faster focuser (I’d assume largely due to the USM focusing motor and a superior PDAF in the EOS DSLR’s) but as to the quality of the actual images…

Continue reading

*Olympus 75mm f/1.8, all it’s cracked up to be?

Oly 75mm f/1.8 Lens

After my recent disappointment with the Olympus 60mm f/2.8 macro (read here), and my ongoing ups and downs with the Olympus OMD EM5, I have been looking to be convinced by Olympus.  I hear so much about Oly’s stellar reputation, but I’d not personally felt those plaudits justified through my experiences with the few Olympus products I’ve owned (hopefully the fanboys will be kind to me here).  In comes the M. Zuiko 75mm f/1.8 lens.  A solid, sharp, 150mm EFOV lens with quite a reputation of its own has come onto the scene.  After returning the 60mm macro, I wanted to make sure that the investment in the 75mm lens would be worth it to me…

Continue reading