*Sigma 150-600mm f/5-6.3, the new Bigma: A user review.

We are living in a time where our photographic reality is absolutely overflowing with optical options.  Regardless of which system or systems a photographer is invested in, the choices are plentiful.

I was an early adopter of mirrorless system cameras, in fact this very blog was largely built upon the back of my passionate love affair with the micro 4/3 system over a decade ago.  In the time that I’ve been writing about photography on this site, I’ve wholly switched over to mirrorless cameras which has provided me with certain benefits as well as a few drawbacks.  A facilitating factor for much of my excitement originally was adaptability and that factor has, over these years, turned into a revolution in many ways with the birth of smart adapters for the mirrorless setups I have and am currently shooting with in the micro 4/3, Canon RF and previously the Sony E system.

One drawback to investing in newer mirrorless system architecture is that many new lenses are expensive.  A global economic landscape, combined with investment needed by the companies building these newer systems, in optical engineering, manufacturing and marketing results in that cost being passed to the consumer, especially with proprietary offerings.  

In come third party manufacturers.  Whether you’re shooting a mirrorless or DSLR system, third party lens options can offer huge cost:performance benefits.  The last few years have seen some changes in my life, not the least of which seeing me move from part time working independent photographer, to hobbiest.  Cost is now more important to me than ever as I’ve seen my fun budget reallocated elsewhere by necessity these days.  C’mon in to see more from this Sigma super tele zoom lens on Canon, Sony and Micro 4/3 bodies, and to see if it’s up to snuff.

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*I’m going back to Canon…? My impression, and user review of the new EOS R.

I’ve just passed the 9th anniversary of this particular blog, and about the 12th overall of me rambling on about camera gear, software and photographic technique online, and as Ladies Love Cool James once eluded to, I have seemingly come full circle.  I’ve waded through and swam in many different pools.  Technology has made some pretty exciting leaps over this time.  After years with a few EOS bodies, I then got excited with the advent of mirrorless as an early adopter in Panasonic, then Olympus, Pentax, Sony, even GoPro while dabbling in various film formats with my 35mm and medium format cameras, and now for the first time in about 6 years, I’ve purchased a Canon branded product again.  At first, I feared I’d made a horrible mistake, but as I’ve now had this camera for the last few months, I’m starting to come around to what it does offer me, and I think I may finally get rid of my Sony full frame gear.

C’mon in for my thoughts, why and where I feel its worth while, and where I foresee Canon going with this format.

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*Sigma Art 85mm f/1.4 – Power, finesse, fashion and function. A user review…

Hello dear friends.  There has been no secret here on the bloggings, surrounding my desire to find the perfect 85mm lens.  It has become my own photo gear holy grail, and a fun journey it has been.  I’ve owned, sold, used, borrowed or rented at least a dozen different 85mm (or equivalent) lenses for a few different systems over my years.  It’s probably the single most fascinating focal length, for me.  The most popular classification for a lens of this focal length, is going to be portraiture.  It balances minimal distortion, with flattering spacial compression when working at traditional distances for portraits, and is a go to for many portrait photographers.  I do like a good portrait session, but a mid range tele lens like a nice, fast 85mm can offer much more than merely head and shoulder shots.  I want to look at this lens on its own at first.  How sharp is it?  Bokeh?  What kind of value does is present at its price point for a photographer like me, or you?  Later, I’ll be comparing this lens to a couple other fast portrait lenses that I have  here on the blog, but for now let’s see how this beautiful new Sigma Art lens stands on its own…

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*Holy S#!† The new FW updates for the @Sony a7II and #Metabones EF smart adapter have created a monster.

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Sorry for my dirty, foul mouth. I’m just blown away by how much better my a7II and Canon EF lens setup has become overnight.  Long overdue, the Sony a7II got the much ballyhooed Uncompressed 14 bit RAW update (as opposed to that weird 11/7 compressed stuff, which is still nicely, an option) along with the return of the on sensor Phase Detection AF to the a7, pro-sumer camera with third party lenses.  Why they kept this out to begin with is beyond me, and really one of my gripes with the Sony approach as a whole, but now that it’s here, it is friggin’ amazing.  It is like I have an entirely new camera.  C’mon in for firmware update links, and a video comparison between the auto focus speed and performance from the original firmware on the a7II and Metabones mark IV adapter, and now that they’ve both very recently been updated…

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*Using the Kipon EF to m4/3, smart adapter. Things are getting interesting w/ @adorama

kipon ef to m4/3 af adapter

The Kipon EF Lens to Micro 4/3 mount smart adapter is a fairly big deal.  Not just because it enables aperture adjustment for the electronically controlled EF line of lenses when adapted to a micro 4/3 camera body, but it has also bridged the proprietary technology to gain the use of full auto focus and lens based image stabilization capabilities.  Having followed a fairly similar path into the micro 4/3 world as I would imagine many others, I came from a long standing investment in the Canon system.  I still shoot my Canon full framers, and have compiled some very nice glass over the years that tends to sit on the shelf more often now that I shoot the micro 4/3 system.  I’ve been waiting for a solution to merge my two beloved systems, and Kipon has produced it.

Enter the new, Kipon EF>m4/3 Smart Adapter. Come on in for some insight and my experience over the last month…

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*A weekend with the Canon EF 200-400 f/4 L IS USM zoom lens.

Canon EF 200-400mm f/4 L IS USM lens

What a weekend.  Sore arms and shoulders and my eyes are still recovering from the sun glare off the water, this weekend found a large, North American regatta fall into our backyard.  As a sponsor of the regatta (representing two sponsoring companies) I was able to talk my way onto a customer and friend’s chase boat.  Of course, it provided me an opportunity to rent one of Canon’s super tele monster lenses, so that’s what I did.

C’mon in to see some shots and read my thoughts on the EF 200-400mm f/4 L IS USM lens…

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*Sony 5 axis IBIS vs EF Lens Based IS vs Panasonic 2 axis IBIS Comparison

 

 

ibis vs ois

Stabilization.  A term that, before a handful of years ago meant “tripod,” or physical bracing technique, has grown to provide various hardware solutions within our camera system of choice.  We as consumers have been lucky to have stabilization options within most all digital camera systems, and while image stabilization isn’t going to remedy all problems, it is certainly a nice feature to have.  

I’m awaiting a new Panasonic GX8 to arrive within the next couple weeks which will boast a new, dual IS system incorporating both an on sensor IS and lens based IS solution, but before that time, I wanted to really see how the first full frame, 5 axis on sensor/in body image stabilization (IBIS) system from Sony compares to a very good lens based image stabilization (IS) system in the Canon EF lenses, and a better than often credited 2 axis IBIS system from Panasonic’s first foray into on sensor stabilization, in the GX7.

Come on in to see my three different comparisons between these three different offerings, and see if there is a clear winner.

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*Lens by lens on the Sony a7II…

lens by lens on the sony a7ii This is purely a personal journey here.  A little retrospective look back at the last couple months to see what I’ve been getting out of the new Sony a7II  (Sony Alpha a7II Mirrorless Digital Camera -Body Only- at B&H HERE).  I tend to spend a lot of time looking at specific things in regard to a lens or camera for the blog here, and I figured I’d compile a few shots from the combination of lenses I’ve been using.  I have mostly used my Canon EF mount lenses via the Metabones adapter (review on that HERE), but have recently acquired the Zeiss 55mm f/1.8 because I felt the camera deserved to also be shot with a high quality native mount lens, plus I was curious to see how it handled this new, crazy feature all the kids talk about in auto focus. Click any image below to see a larger version, and let me know your thoughts in the comments. Less talk, more rock as it were.  Without further ado… Continue reading

*Sony a7II, a game changer? My take on Sony’s newest FF cam, a user review.

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I’ve been shooting with the Sony a7II full frame, 24 megapixel mirrorless camera for almost a month now, which has given me a bit of time to really get a feel for it.  I don’t like to review cameras that I’ve not had the ability to fire off a few thousand shots with, so I’ve been using this camera almost exclusively since I got it, and now feel a bit better about praising and lambasting Sony on a few points.  C’mon in for my initial thoughts, and a few performance based tests…

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*Using the Metabones mk 4 EF>Emount smart adapter on the A7II, a user review.

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Who doesn’t fantasy shop?  I certainly do, and while I have done a really good job over the years of tempering my cravings to buy a newer full frame camera, I’d be lying if I said I haven’t been interested in the Sony Alpha 7 series.  Much like the NEX series (or “Axxxx”, or whatever it’s called now) I’ve always felt that Sony has spent their time and effort on camera bodies and sensor development, while largely ignoring the need to round out their optical offerings for either the APS-C or Full Frame mirrorless systems.  To be fair, and as a seeming act of nose thumbing in my direction, Sony released 4 brand new FE mount lenses a couple weeks ago.  This new set of lenses is certainly a step in the right direction as they’ve finally released more lenses than cameras for the FE mount.

Sony seems to be focused on leading the charge in sensor tech while slowly bringing new lenses to market, and other companies and systems have benefited from this sensor based model, namely Nikon and Olympus.  While researching my options in the world of Canon full frame land (I also shoot a Canon 5D2), I kept tabs on the A7 series, and when the A7II was announced with IBIS, and all the other bells and whistles for the same price as the aging 6D, I decided to dig deeper.

I’ve been looking to update my 5D2 for a little while.  It still does most of what I need it to, but I’ve been walking on thin ice after having sold and traded off my other Canon DSLR bodies leaving me with no backup.  

Most of the work I do with the Canon is in interior work, so I never saw it as a huge liability seeing that I could, in a pinch, shoot with my micro 4/3 setup to cover me.

Now, the Metabones adapters are well documented, and with the new mark 4, has seemingly remedied most of the gripes I’ve read about, namely the internal surface reflections by way of a series of matte bezels inside the adapter.  One problem I’d come across is that it was hard to find good info with use on this new A7II.  Well, here are my initial thoughts…

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