GoPro users rejoice! Lensbaby has just launched a campaign to release their brand new 180+ degree circular fisheye lens for GoPro action cameras. It looks like it will be a great lens for GoPro system users who may want that wider angle that a circular fisheye produces for underwater video, general tomfoolery or to produce some cool, surreal drone footage. Jump on the train to be one of the first pledgers to get it for only $69.
See the release from Lensbaby below:
GoPro® cameras are amazing. The fixed lens however can be limiting. Lensbaby’s new Circular 180+ lens, packed with 185 degrees of AWESOME, will make you want to pull that GoPro® out and see your adventures like you’ve never seen before.
Lensbaby’s Circular 180+ lens creates fully circle fisheye videos and images with huge depth of field letting you capture the soul of your adventures with a fully immersive field of view. Attaching to the current waterproof housing on GoPro® Hero cameras, the Circular 180+ captures a 185 degree window on the world, wider than the human eye can see with unprecedented depth of field – subjects nearly touching the front of the lens are sharp along with everything else in the image.
With its 185 degree field of view, intense depth, tack sharp edge-to-edge focus plus its small, rugged design this lens will go anywhere you want to go. Back in now on Kickstarter to get your lens in time for summer shooting: http://lensba.by/kickstarter_circular180
I have no stake to claim here, no money on the table, no skin in the game. Just wanting to spread the Lensbaby gospel because I like the company and the folks that work there. They’re awesome. Click the link above to see sample footage and hear from Craig, the co-founder of Lensbaby as he explains what led to them developing this lens.
Panasonic has done well to progress the hybrid market bringing industry leading video features to remarkably affordable price points over the years. The GH line has always pushed into new territory with budget oriented motion shooters compared to all else available on the market. Along with cutting edge video features, they’ve also done well to provide competent still shooting devices incorporated into these wonderful, little mirrorless cameras. The GF and GX lines have historically incorporated a more still shooter driven skill set in a smaller, rangefinder style body while adding admirable video features as well.
There’s been no hiding my love for the GX7 over the past few years. In my mind, it has been the best balance of quality, size, feature and price yet available in the mirrorless landscape, playing to all of the benefits of a smaller format, mirrorless construction and very high end lens availability through the system partnership with Olympus, and third party collaboration and support from companies like Leica, Sigma, Voigtländer and many others.
With the GX8, Panasonic has brought us a newer, more beefed up version with the m4/3 system’s first 20mp sensor, dual IS feature and various 4K video and still modes in a camera that, while a bit bigger, can still fit into a large pocket with the right lens. A great machine, but is it truly a step forward in all ways? Having been shooting this camera extensively for the last month and a half, I feel comfortable giving my opinions and comparisons between the GX8 and it’s predecessor. C’mon in…
Few systems can boast multiple, high quality portrait prime lenses. Here I’m looking at three, very good lenses all in their own, respective rights. Each, have their upside and for a given shooter, a very justifiable argument in favor of, over the others.
While there are two more proprietary portrait prime, focal length lenses with a micro 4/3 badge printed on them (the Leica 45mm f/2.8 macro and the new Lumix 42.5mm f/1.7) I have been able to justify buying all three of these for one reason or another over the last few years. I must cull my quiver to make room (and provide budget) for new, fun things to review, so I need to decide which I’m going to hold onto.
C’mon in for some shots, and my thoughts…
Officially announced and available immediately for $95usd (still image plugin) or $195usd (video plugin) this new offering from Digital Film Tools gives you the same amazing layer based control as Tiffen Dfx v.3, for 288 different film stock replications. Read on for examples and more info…