*Micro 4/3 Portrait Lens Shoot Out! Leica Nocti vs Voigtländer Nokton vs Olympus

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Few systems can boast multiple, high quality portrait prime lenses.  Here I’m looking at three, very good lenses all in their own, respective rights.  Each, have their upside and for a given shooter, a very justifiable argument in favor of, over the others.

While there are two more proprietary portrait prime, focal length lenses with a micro 4/3 badge printed on them (the Leica 45mm f/2.8 macro and the new Lumix 42.5mm f/1.7) I have been able to justify buying all three of these for one reason or another over the last few years.  I must cull my quiver to make room (and provide budget) for new, fun things to review, so I need to decide which I’m going to hold onto.

C’mon in for some shots, and my thoughts…

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*Micro 4/3 Super Tele Battle, Lumix 100-300 vs Oly 40-150+1.4xTC

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Since purchasing the Olympus MC1.4x Teleconverter to couple with the Oly 40-150mm f/2.8 lens, I’ve been curious to see if the extra reach provided me by my Panasonic 100-300mm lens is really necessary.  The 100-300 is a great lens in its own right, and for the price, provides an option that no other system can boast, so needless to say, I do think highly of it.  That said, the 100-300 can soften up a bit on the long end (and to stop anyone who may suggest the Oly 75-300, I still feel the Lumix is the better overall lens and optically up to snuff, so, no) the question is, do I really get much from the extra reach?

Well, come on in for my findings and decision…

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*Panasonic Lumix 100-300mm, waste of time, or amazing value?

Lumix G Vario 100-300mm f/4-5.6

One huge benefit to a smaller sensor is the effective focal length multiplier.  Sure you can crop into an image captured at a wider angle, or on a larger sensor but as we have seen in the focal length vs sensor size post, when utilizing a smaller (relative to full frame) sensor, you can actually decrease your depth of field with the same focal length if shot from a fixed location, all while generically increasing your focal length by way of the effective multiplier in that smaller sensors crop into the larger image circle.  Aperture is aperture as far as exposure is concerned, so even by this standard, f/5.6 is relatively quick when you consider the focal length and price.  This said, is the Lumix G Vario 100-300mm f/4-5.6 (<UPDATE! click the link to see it at B&H, and if you click on “Savings Available” the price is down to $499 if you purchase one of the three things that qualify, like the $10.99 software…) worth the price of admission when you consider you get a 600mm lens able to shoot at f/5.6?  Let’s see…

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*Olympus 75mm f/1.8, all it’s cracked up to be?

Oly 75mm f/1.8 Lens

After my recent disappointment with the Olympus 60mm f/2.8 macro (read here), and my ongoing ups and downs with the Olympus OMD EM5, I have been looking to be convinced by Olympus.  I hear so much about Oly’s stellar reputation, but I’d not personally felt those plaudits justified through my experiences with the few Olympus products I’ve owned (hopefully the fanboys will be kind to me here).  In comes the M. Zuiko 75mm f/1.8 lens.  A solid, sharp, 150mm EFOV lens with quite a reputation of its own has come onto the scene.  After returning the 60mm macro, I wanted to make sure that the investment in the 75mm lens would be worth it to me…

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