Believe it or not, I’m still attempting to actively write, and after a very hectic year, I’m getting back into the game, kinda. This article all started indirectly during the total solar eclipse this year. A friend who also shoots micro 4/3 and I got to talking about lenses we like for the system. We were taking turns using my adapted Sigma 150-600mm through a solar filter to snap shots of the celestial event, and we got to talking about the Voigtländer offerings. I, having been the proud owner of the 42.5mm Nokton (review on that bad boy HERE), was excited to find out my friend was toting the 17.5mm version around with him. Well, I’ll spare you the minutiae of the back and forth, but we decided to do a lens swap for a month or so, and here we are. C’mon in for some touchy, feely bits on my time with the Voigtländer Nokton 17.5mm f/0.95 lens…
I had never, ever noticed any issue with shutter shock personally. This goes for my experience with the GX8, the OMD EM5 years back that many claimed to have had issues, and any other camera I’ve owned and shot with. This isn’t to say that my cameras didn’t suffer from this issue, I’m just saying that I’ve never noticed it. That may be that I’ve not been a huge pixel peeper (except when doing these types of tests for these articles) or perhaps I’ve just been easily able to excuse any softness for whatever reason.
That said, I have received a few emails over the last couple months asking specifically about the shutter shock issue with the GX8 and so I thought it might be handy to run a test to satisfy my own curiosity, and better equip myself when attempting to answer these types of inquiries. C’mon in to see the results…
Sorry for my dirty, foul mouth. I’m just blown away by how much better my a7II and Canon EF lens setup has become overnight. Long overdue, the Sony a7II got the much ballyhooed Uncompressed 14 bit RAW update (as opposed to that weird 11/7 compressed stuff, which is still nicely, an option) along with the return of the on sensor Phase Detection AF to the a7, pro-sumer camera with third party lenses. Why they kept this out to begin with is beyond me, and really one of my gripes with the Sony approach as a whole, but now that it’s here, it is friggin’ amazing. It is like I have an entirely new camera. C’mon in for firmware update links, and a video comparison between the auto focus speed and performance from the original firmware on the a7II and Metabones mark IV adapter, and now that they’ve both very recently been updated…
Choice is good, and unless it is an important, multiple choice test, the more choices, the better I feel. In this constantly growing camera system, we are continuing to get quality choices in the lens game. From semi-wide through standard focal lengths, the micro 4/3 system boasts quite a few options and those options are increasing.
So, with the recent addition of the new Panasonic Leica Summilux 15mm f/1.7 lens, it begs the question, why? With quite a few other comparable focal lengths in the lineup, why this lens? Panasonic has already provided two, pretty comparable, adequately performing focal lengths in this space. Come on in for a comparison between these three lenses to see which might be most deserving of your adoration and hard earned money.