We are living in a time where our photographic reality is absolutely overflowing with optical options. Regardless of which system or systems a photographer is invested in, the choices are plentiful.
I was an early adopter of mirrorless system cameras, in fact this very blog was largely built upon the back of my passionate love affair with the micro 4/3 system over a decade ago. In the time that I’ve been writing about photography on this site, I’ve wholly switched over to mirrorless cameras which has provided me with certain benefits as well as a few drawbacks. A facilitating factor for much of my excitement originally was adaptability and that factor has, over these years, turned into a revolution in many ways with the birth of smart adapters for the mirrorless setups I have and am currently shooting with in the micro 4/3, Canon RF and previously the Sony E system.
One drawback to investing in newer mirrorless system architecture is that many new lenses are expensive. A global economic landscape, combined with investment needed by the companies building these newer systems, in optical engineering, manufacturing and marketing results in that cost being passed to the consumer, especially with proprietary offerings.
In come third party manufacturers. Whether you’re shooting a mirrorless or DSLR system, third party lens options can offer huge cost:performance benefits. The last few years have seen some changes in my life, not the least of which seeing me move from part time working independent photographer, to hobbiest. Cost is now more important to me than ever as I’ve seen my fun budget reallocated elsewhere by necessity these days. C’mon in to see more from this Sigma super tele zoom lens on Canon, Sony and Micro 4/3 bodies, and to see if it’s up to snuff.
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While Panasonic seemingly focuses on video featured GH cameras along with their new full frame platform, and Olympus hopes pros jump to its EM1X, I’m over here enjoying my now aged, and in my mind legendarily ‘just right’ Goldilocks GX8 with some new glass. I’ve long blown the horn for Sigma’s full frame optics, providing industry leading optical performance at honest, realistic prices (every one of the half dozen lenses I’ve tested/reviewed and/or purchased over the last few years have been wonderful), I started to wonder why I’d not tried out their crop frame offerings. Well, I have now, and I don’t know why I’m surprised, but the Sigma 56mm f/1.4 DC DN Contemporary lens is another absolute gem.
I’m using the micro 4/3 mount option, which crops to a 112mm equivalent focal length, putting it right in that mid tele, portrait sweet spot between the traditional 85mm and 135mm focal lengths. For the APS-C lot, this lens falls right into the more standard short tele ~85mm slot, which will certainly appeal to many (as it absolutely should). I for one like the extra cropping as it starts to compete with my long standing, and stellar Olympus 75mm f/1.8 lens for time on the camera when portraits or more isolated subjects, with bokehfied backgrounds come calling.
Weather sealed at the mount, compact, lightweight, fast and sharp as a tack, this lens is one I feel many system shooters can find great value in. C’mon in to see my take…
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Hello dear friends. There has been no secret here on the bloggings, surrounding my desire to find the perfect 85mm lens. It has become my own photo gear holy grail, and a fun journey it has been. I’ve owned, sold, used, borrowed or rented at least a dozen different 85mm (or equivalent) lenses for a few different systems over my years. It’s probably the single most fascinating focal length, for me. The most popular classification for a lens of this focal length, is going to be portraiture. It balances minimal distortion, with flattering spacial compression when working at traditional distances for portraits, and is a go to for many portrait photographers. I do like a good portrait session, but a mid range tele lens like a nice, fast 85mm can offer much more than merely head and shoulder shots. I want to look at this lens on its own at first. How sharp is it? Bokeh? What kind of value does is present at its price point for a photographer like me, or you? Later, I’ll be comparing this lens to a couple other fast portrait lenses that I have here on the blog, but for now let’s see how this beautiful new Sigma Art lens stands on its own…
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Happy new year! I’ve been having a wonderful holiday season, largely thanks to Adorama for lending me this beaut of a lens. The Sigma Art 20mm f/1.4 is the widest, f/1.4 full frame lens, and is the newest addition to the much vaunted line of f/1.4 Sigma Art Primes available in Canon EF, Nikon F, Sony FE, Leica L and Sigma mounts. In this article, we’ll explore a bit of the more measurable aspects as well as the more touchy, feely parts of interacting with this lens. I shot this lens on both the Canon EOS 5D mkII and the Sony a7II via the EF>FE Metabones MkIV smart adapter, and it performed equally as solid on both cameras. Is this a viable option for full frame system shooters for fast, ultra wide applications? Well, seeing as there has never been a full frame compatible lens this wide, this fast, it’s forging new ground for many shooters, and that is pretty rare in this day and age. C’mon in to see some example images and read my rambling thoughts…
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