When Panasonic started to leak the GX7 micro 4/3 camera, I, along with many micro 4/3 fans started to pine for what seemed on paper to be one of the best offerings for the system yet. Compact, nice grip, IBIS, focus peaking, a step forward in IQ, good video options, integrated EVF, WiFi, rugged chassis… I’m no fanboy, but I will admit to feeling that Panasonic has done a better job at the interface side of things, compared to Olympus in my experience with cameras from both manufacturers. If I could gain access to what I saw as Oly’s two benefits in IBIS and newer sensor tech in a Pana body with it’s more streamlined, yet still customizable interface, I had to see if it could live up to the hype. I’ve long felt that if Oly could re-engineer it’s interface and remove some of the frustrating quirks that plagued the EM5, or, if Panasonic could take a step forward in sensor performance and integrate a decent IBIS system, either could have a quintessential micro 4/3 juggernaut on their hands. Is the GX7 the answer to those desires?
Tag Archives: Olympus
*Olympus 75mm f/1.8 vs Canon 135 f/2 L
***I’m selling off some gear, the killer Olympus 75mm f/1.8 lens is up for sale HERE***
One of my absolute all time favorite lenses has been my EF 135mm f/2 L USM. Before I’d acquired this lens, I was looking for a mid range tele lens that I could use for portrait work as well as use for events, sports, etc. The 135L a few years back cost me exactly as much as the Oly 75mm f/1.8 does today. Yes, the Oly uses much less in the way of materials, far less glass, and is actually a 75mm lens, not a 135mm (or 150mm to be more accurate) lens, but, for the Micro 4/3 format, it is as close to that magical piece of glass that the 135L is for the Canon system. Both are metal, neither are weather sealed and they’re each their own system’s mid-tele master. Even with the extra glass, the 135L is a noticeably faster focuser (I’d assume largely due to the USM focusing motor and a superior PDAF in the EOS DSLR’s) but as to the quality of the actual images…
*Moving upward and onward!
Hello everyone! You may have noticed that I’m quietly adding content to the site. This is being done to try and make a more complete resource for those visiting the site to reference specific tutorial articles or find gear reviews, etc. The biggest changes are the new “Tutorial” “Review” and “MyGear” pages up at the top of the page. I will be trying to catalog the more popular tutorials and reviews for easy reference, and the new gear page has allowed me to link certain cameras, lenses and miscellaneous gear that I use to my affiliate links at B&H. Yup, you read that right. I’ve finally succumbed to the monetary necessity of trying to make a little coin to keep the site going. Read on for my reasoning and ever cheesy gratitude…
*Rokinon 7.5mm f/3.5 Fisheye, get wide.
In the world of photography, a fisheye lens to me is kind of like a purse is to my wife. Follow me for a second here. You only use it on certain occasions and for certain purposes, with certain outfits if you will. For the other times, you have a plethora of other purses to accessorize to your need. For the times that you need that one, zany purse, the only one that goes with that crazy belt, then the fisheye is the ticket. Since I’ve become re-enamored with photography, I have stopped asking about and wondering why my wife has as many purses as she does (and constantly wants more…sounds kinda familiar right?) Don’t worry, I’m not turning this into a fashion blog, c’mon in and I’ll show you some shots of and from the stellar Rokinon 7.5mm fisheye lens.
*Get a Grip! Alternative to the Oly OMD EM5 Accessory grip
While I love the overall size reduction that newer mirrorless system cameras provide, certain cameras really sacrifice a functional grip, especially for larger hands more suited and accustomed to the larger, deeper DSLR style hand grips. With tiny buttons abound, touch sensitive screens and minimal real estate on the backs of these cameras to grip onto, I found myself looking for something to supplement my EM5’s “grip.” I was not going to pony up $300 for the accessory grip from Olympus because I don’t want the double battery/vertical grip portion, and while I could just use the add on grip on its own, the price is ridiculous to gain access to a simple grip (granted it did incorporate a second shutter button, but I already have one…). Enter the Really Right Stuff OMD EM5 grip plate combo. Read on for pics and a video showing how it fits the body of the OMD EM5…
*Olympus 75mm f/1.8, all it’s cracked up to be?
After my recent disappointment with the Olympus 60mm f/2.8 macro (read here), and my ongoing ups and downs with the Olympus OMD EM5, I have been looking to be convinced by Olympus. I hear so much about Oly’s stellar reputation, but I’d not personally felt those plaudits justified through my experiences with the few Olympus products I’ve owned (hopefully the fanboys will be kind to me here). In comes the M. Zuiko 75mm f/1.8 lens. A solid, sharp, 150mm EFOV lens with quite a reputation of its own has come onto the scene. After returning the 60mm macro, I wanted to make sure that the investment in the 75mm lens would be worth it to me…
*Against the grain on the new Olympus 60mm f/2.8 macro lens
I’ve been debating a dedicated macro lens for either my full frame setup or my micro 4/3 setup for a little while now. I wanted to try out the Olympus 60mm f/2.8 dedicated macro lens as I felt the micro 4/3 system really played to its benefits with a macro setup. It really had to work to supplant the idea of acquiring the PanaLeica 45mm f/2.8 OIS Macro lens in the micro 4/3 realm, or some more illustrious full frame macro lenses for my larger system as well. Now, I may be the odd man out as every review seems to really like this lens, but I was not impressed. Read on to hear about why…
*Olympus OMD EM5 v1.5 firmware update includes IBIS for third party lenses in video mode!
Just a quick comparison pre and post firmware v1.5 update showing the difference that the IBIS (In Body Image Stabilization) makes when using adapted, third party lenses in video mode on the Olympus OM-D E-M5.
The above video was shot using a Canon FD 55mm f/1.2 SSC lens adapted to the OM-D E-M5 with segments using firmware v1.2 to show the lack of IBIS support compared to the same setup after the firmware update to v1.5. I was walking with the camera held out in front of me to further amplify the differences that the IBIS can make for video. I would certainly suggest standing still, IBIS or not when shooting video because nobody wants to watch this type of vomit inducing drivel, with the distinct exception of gear nerds like myself, in small, short doses of course.
To properly engage the IBIS when using adapted lenses for video, you’ll need to manually enter the focal length (just as we have to for still shooting) in the Image Stabilization sub menu.
Along with the added IBIS support in video capture for third party lenses, the update included a muting (or more accurately a disengagement) of the IBIS humming when the camera was inactive prior to entering sleep mode. Unfortunately, we didn’t see some of the other issues we’d raised last week addressed (like focus peaking, high ISO banding, etc) but these are two good changes and hopefully are merely the beginning of the firmware update chain for this camera.
You can find the OMD EM5 at B&H HERE.
Thanks for the read and happy shooting,
Tyson
*Olympus OM-D E-M5 Firmware Update, please.
As much as I do love this camera, I find myself absolutely frustrated with it in certain situations. While the squeaky wheel is normally the most annoying, it is also the one that gets the grease. Let us become a loud enough wheel so that Olympus may take notice and deliver some updates to make this camera all it can be.
*OM-D E-M5 vs G3… what’s this about a new sensor?
The Micro 4/3 system has really grown up in the last year. Sensor tech has taken a substantial step forward and the lens lineup has rounded itself out very nicely. Much has been eluded to regarding the origins of the OM-D E-M5 sensor, is it a reworked Panasonic sensor, a Sony sensor, an inhouse super secret sensor??? Oly came out and admitted that Sony is the manufacturer of the sensor in the OM-D E-M5 quelling the rumor mill, and of course, the G3/GX1 (and quite possibly the soon to be G5) sensor, built by Panasonic, is in fact different. That all said, I really wanted to see how these two sensors compared to one another as I have been very impressed by the G3. C’mon in and we’ll take a closer look at a few files.








