Shooting art can be a tricky task. Replicating the colors, texture and vibrance all while lighting it properly and controlling detail ruining reflection is challenging. Every canvas provides it’s own nuances and unique elements needing to be worked around, especially a canvas that is 3 dimensional and isn’t entirely static. All of these tattoos are original works by my friend Josiah Laughlin. He tattoos here in Portland, Oregon at Imperial Tattoo, and this is an ongoing series we’re collaborating on to document his portfolio. C’mon in to see more of his work and read through diagrams on how I shot them.
(*Blog authors note: Hi, I’ve been seeing a lot of traffic from google searches to this article. I’d love to hear from those readers about if and how the following article is helping them! thanks and I hope you enjoy – Tyson)
Many art forms mimic the artistic mediums that came before it. Portrait photography is a way to paint a subject with light and has always been very influenced by the previous predominant form of portrait art, painting. One master painter that is studied by photographers for his use of light, shadow and impeccable chiaroscuro shading techniques is Rembrandt. …Dude knew his light. Continue reading