Remember that really cool feeling of camping out in the dark room, focusing and projecting your image onto photo sensitive paper? Watching your creation materialize before your eyes in the developer as you lightly rocked the chemicals back and forth, only to see your final image come to life for the first time? I do. It’s what sparked my love affair with photography, and if you never got to experience that, I think you should try to find a local community college or community space that still has enlargers, and give it a try. Now, fast forward… Do you remember me telling you about Digital Silver Imaging and their unique, digital silver gelatin printing process? To quickly summarize, DSI (find them here) has a process that takes your digital files, and exposes them like a negative, onto photo sensitive paper, and develops them in photo chemistry producing a beautiful, museum quality, archival print. The beauty and depth of a digital file, with the organic analog feeling of a silver gelatin print, is a very cool, very harmonious and nostalgic thing. Well, I’ve been back in contact with those fine folks, and after some delightful conversation surrounding the next step in actual mounting of said beautiful prints, this is what came back to me…
Tyson Robichaud Photo-blography 